Most Wanted
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Ishtar
(May, 1987)
The Seven-Per-Cent Solution (OOP)
(Ross, 1976)
The Devils
(Russell, 1974)
The Pirates of Penzance
(Papp/Leach, 1983)
The Fortune
(Nichols, 1975)
-30-
(Webb, 1959)
Betrayal
(Jones, 1983)
Play It As It Lays
(Perry, 1972)
The Outfit
(Flynn, 1973)
Alex in Wonderland
(Mazursky, 1969)
The Legend of Lylah Clare
(Aldrich, 1968)
In The Cool of the Day
(Stevens, 1963)
That Cold Day in the Park
(Altman, 1969)
Thumb Trippin'
(Masters, 1972)
Midas Run
(Kjellin, 1969)
At Long Last Love
(Bogdanovich, 1973)
Brewster McCloud
(Altman, 1972)
Outcast of the Islands
(Reed, 1951)

Reader Submissions

1930's-1950's
The Moon's Our Home
(Seiter, 1936)
Sh! The Octopus
(McGann, 1937)
The Mating Season
(Leisen, 1951)
Bad for Each Other
(Rapper, 1953)
The Phenix City Story
(Karlson, 1955)
Run of the Arrow
(Fuller, 1956)
House of Secrets
(Green, 1956)
Saint Joan
(Preminger, 1957)
Macabre
(Castle, 1958)
The Fiend Who Walked the West
(G. Douglas, 1958
Five Gates to Hell
(Clavell, 1959)
1960's
Key Witness
(Karlson, 1960)
Summer and Smoke
(Glenville, 1961)
The Chapman Report
(Cukor,1962)
Bachelor Flat
(Tashlin, 1962) [on Hulu]
The L Shaped Room
(Forbes, 1963)
The Chalk Garden
(Neame, 1964)
A Thousand Clowns
(Coe, 1965)
You're a Big Boy Now
(Coppola, 1966)
The Whisperers
(Forbes, 1967)
Dark of the Sun
(Cardiff, 1968)
Skidoo
(Preminger, 1968)
Last Summer
(Perry, 1969)
The Comic
(C. Reiner, 1969)
1970-1974
The Revolutionary
(Williams, 1970)
The Landlord
(Ashby, 1970)
Diary of a Mad Housewife
(Perry, 1970)
Tropic of Cancer
(Strick, 1970)
I Never Sang for My Father
(Cates, 1970)
Sometimes a Great Notion
(Newman, 1971)
Marriage of a Young Stockbroker
(Turman, 1971)
The Music Lovers
(Russell, 1971)
Drive, He Said
(Nicholson, 1971)
The Steagle
(Sylbert, 1971)
The Last Movie
(Hopper, 1971)
Made For Each Other
(Bean, 1971)
The Day the Clown Cried
(Lewis, 1972)
Hickey & Boggs (OOP)
(Culp, 1972)
The Carey Treatment
(Edwards, 1972)
Pete 'n' Tillie
(Ritt, 1972)
Slither
(Zieff, 1973)
Man on a Swing
(Perry, 1974)
Open Season
(Collinson, 1974)
The Tamarind Seed
(Edwards, 1974)
Law and Disorder
(Passer, 1974)
Homebodies
(Yust, 1974)
Stardust
(Apted, 1974)
Celine and Julie Go Boating
(Rivette, 1974)
1975-1979
Rafferty and the Gold Dust Twins
(Richards, 1975
At Long Last Love
(Bogdanovich, 1975)
Hearts of the West
(Zieff, 1975)
Welcome to L.A.
(Rudolph, 1976)
W.C. Fields and Me
(Hiller, 1976)
Citizens Band
(Demme, 1977)
Twilight's Last Gleaming
(Aldrich, 1977)
Looking for Mr. Goodbar
(Brooks, 1977)
Girlfriends
(Weill, 1978)
Movie Movie
(Donen, 1978)
The Medusa Touch
(Gold, 1978)
American Hot Wax
(Mutrux, 1978)
Hot Stuff
(DeLuise, 1979)
Scavenger Hunt
(Schultz , 1979)
Players
(Harvey, 1979)
Rich Kids
(Young, 1979)
Nightwing
(Hiller, 1979)
Screams of a Winter's Night
(Wilson, 1979
When You Comin' Back Red Ryder?
(Katselas, 1979
1980's
Resurrection
(Petrie, 1980)
The Awakening
(Newell, 1980)
Simon
(Brickman, 1980)
God's Angry Man
(Herzog, 1980)
Fast-Walking
(Harris, 1982)
Twice Upon a Time
(Korty & Swenson, 1983)
Trouble in Mind
(Rudolph, 1985)
When the Wind Blows
(Murikami, 1986)
Housekeeping
(Forsyth, 1987)
The Glass Menagerie
(Newman, 1987)
Patty Hearst
(Schrader, 1988)
Drowning by Numbers
(Greenaway, 1988)
Haunted Summer
(Passer, 1988)
The Decline of Western Civilization Part II: The Metal Years
(Spheeris, 1988)
1990's
Old Times
(Curtis, 1991)
Prospero's Books
(Greenaway, 1991)
City of Hope
(Sayles, 1991)
The Baby of Macon
(Greenaway, 1993)
King of the Hill
(Soderbergh, 1993)
Dadetown
(Hexter, 1995)
SubUrbia
(Linklater, 1997)

Josh Brolin's "X"

I dropped by Santa Barbara's Marjorie Luke theatre yesterday afternoon to see four short films, but mainly to take a look at Josh Brolin's X, which he directed, wrote and self-produced. A 15-minute piece about a heavily-tattooed criminal dad (Vincent Riverside) and his hard-bitten, Bonnie Parker-like daughter (Eden Brolin) sharing a violent fate in the desert, X is a first-rate effort -- well-shot, nicely paced, engagingly acted. 3 days of shooting, 96 set-ups. It convinces you that Brolin will probably be directing a feature within two or three years.


(l. to r.) X costars Vincent Riverside, Eden Brolin, director-producer-writer Josh Brolin; two guys who directed an alluring short called Elevator People, and a director of another short film -- ready to insert name and title with assistance.

That said, X's like-father, like-daughter theme is depressing. Riverside's character is a low-rent loser who has not only ruined his own life but, it seems, his daughter's. The short has a certain scuzzy integrity, yes, but I wouldn't want to see X expanded into a feature. It's too bleak, the characters too doomed. It left me with nothing except a belief that Brolin can handle himself behind a camera. He's a funny guy. Something tells me he'd be good with a sardonic comedy of some sort.

Posted by Jeffrey Wells on January 30, 2008 at 11:39 AM

comment #1

actionman Author Profile Page says ...

his performance in Flirting with Disaster was hysterical

Posted by actionman Author Profile Page at January 30, 2008 11:58 AM

comment #2

AH Author Profile Page says ...

He really is on a roll these days.

Posted by AH Author Profile Page at January 30, 2008 1:12 PM

comment #3

alynch Author Profile Page says ...

I'm surprised that Jeff hasn't written anything about that Bush movie he's doing with Oliver Stone. That seems like the type of thing that would be in Jeff's wheelhouse.

Posted by alynch Author Profile Page at January 30, 2008 3:19 PM

comment #4

Monument Author Profile Page says ...

Just you wait alynch, just you wait.

Posted by Monument Author Profile Page at January 30, 2008 3:24 PM

comment #5

bmcintire Author Profile Page says ...

Just going by noggin size, Brolin is all wrong to be playing Bush2. George is a classic example of a pinhead, while Josh's skull ranks up there with a Macy's parade float.

Posted by bmcintire Author Profile Page at January 30, 2008 5:56 PM

comment #6

JosephB Author Profile Page says ...

Is it just me or is Brolin getting cooler and cooler by the week nowadays? Or maybe I have one of those George Costanza-like man crushes on Tony (if you know the episode, bonus points).

Posted by JosephB Author Profile Page at January 30, 2008 8:55 PM

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