Jones-ah! Mr. Jones-ah!

A guy who knows a guy who’s on the Indiana Jones and the Kingdom of the Crystal Skull team has passed along #2’s impressions of the finished film. I’m not 100% comfortable running them, given the obvious fact that #2 is a coward, cowering like an eight year-old girl behind the creased khaki slacks of #1, as well as a shill and a spinner, but here goes anyway:


Bondage & discipline: Cate Blanchett‘s Agent Spalko

“I felt compelled to write, having just read Anne Thompson‘s 4.17 Variety column which states that ‘the advance buzz on Indy 4 is getting damaging enough that Lucas and Spielberg may want to reconsider the current strategy of waiting until May 18 to show the film…that’s a long way off.’
Composer John Williams, Guy #2 says, was initially correct on the Indy 4 running time of 140 minutes, but the film “underwent belt tightening and has been receiving customary tweaking for its final mix.”
Indiana Jones and the Kingdom of the Crystal Skull “is the best of the Indy sequels,” he declares. “Steven Spielberg‘s helming puts the imitators (The Mummy, National Treasure) to shame. There are many breakneck set pieces, with a protracted jungle chase being particularly memorable. As well as being evocative of the truck chase from the first movie.
Harrison Ford, he claims, “gives his best performance in the role, not only physically belying his age but layering in welcome poignancy. More than before, audiences will be rooting for Indy. Shia LaBeouf makes essential contributions. Chemistry between he and Ford is palpable, yielding some nice character comedy.
“Jones is particularly beleaguered throughout the adventure, making his predicaments all the more entertaining.
“The film has the strongest supporting cast of the sequels. They all raise the bar. Ray Winstone amuses and fascinates, but the strongest impression is left by Cate Blanchett‘s Agent Spalko, a characterization that achieves instant cult status.
“Hopefully, the surprises in this film can continue to be guarded. Eventually, these spoilers will get out, but it would be shameful for reviewers and bloggers to reveal an ending that any longtime diehard fan of the films could only dream about. Expect a particularly resounding reaction in the theater.
“Kudos to screenwriter David Koepp for pulling all this together on the page. This will easily be the biggest hit of the year.”