“I’m not saying that Crossing Over is a masterwork,” I wrote on 1.31. “It’s not. It uses a familiar strategy — five or six story lines woven into a social-issue tapestry — in an attempt to be an illegal-immigrant Traffic. But it’s really Crash. Which, to some, may sound like damnation. But sitting through Crossing Over isn’t hell. Far from it. Within the boundaries of its scheme and particularly given what Kramer had to deal with in post, it’s not half bad. The bruises and abrasions show, but it has a certain integrity. You can feel the efforts of a strong impassioned director trying like hell to make it work.”
In short, I tried to show a little understanding and compassion for poor Wayne Kramer, the director-writer, and for what he went through in post. Here‘s a largely accurate article that reviews what happened.