Parking Garage

“Is it a sign of impending apocalypse that two terrible Nia Vardalos movies have been released in one month?” asks critic Marshall Fine. “It seemed unlikely that Vardalos could star in a movie flatter or more desultory than My Life in Ruins. But she’s outdone herself with I Hate Valentine’s Day (IFC, 7.3), which she wrote and directed and stars in.


John Corett, Nia Vardalos in I Hate Valentine’s Day

“For good luck, apparently, she cast John Corbett – her love interest in My Big Fat Greek Wedding, – as the male lead. But she could have cast anyone from Brad Pitt to a fencepost and it wouldn’t have made a difference. The writing is that flavorless, the directing that inept.

“Vardalos doesn’t write dialogue; she writes shtick. Riffs on why she hates antiques, riffs on why relationships suck, riffs on — well, really, the whole thing is one long riff, with few laughs and an inevitable destination. As a director, Vardalos is too in love with her own genius. There isn’t a scene that isn’t overlong, mostly because she inserts pauses between each line of dialogue so lengthy you could park a car.

“If you snipped three-to-five seconds from every shot in the film (and, believe me, you could), the movie would barely reach feature length. Better yet, snip away everything after the opening credits and save everyone a lot of time and expense.”

26 thoughts on “Parking Garage

  1. Brilliant YouTube smackdown idea: string all the pauses Fine is talking about together into one video. I bet it would be surreal and hilarious.

    Then again, maybe we’re piling on. Vardalos is an undertalented dreamer that hit one out of the park (box-office wise) and now is cashing in like any of us would. Too bad she just can’t pull it off. She’s the female Ed Burns.

  2. I love how she’s been blaming the studio on the failure of her latest movie. She blogged about it on the Huffington Post — saying her movie should be a hit, but Fox didn’t spend enough promoting it because it has a female lead.

    This one looks like even more of a bomb. Who will she blame then?

  3. I’d rather watch every Michael Bay film he’s ever made, back-to-back, than watch another one of her movies. Ugh.

  4. I recently revisited (no, really!) My Big Fat Greek Wedding and, guess what, it doesn’t hold up. But Nia Vardolos does look better now than back then.

  5. “Get over it. I like Nia Vardolos and she has a lot of fans out there.”

    You like her because she’s a woman filmmaker, and you are a sometimes feminist.

    She’s a talentless bore.

  6. I was surprised to see a movie with “Valentine’s Day” in the title come out on 4th of July weekend, but figured that they want to take advantage of the critical and financial success of “My Life in Ruins”.

  7. “Get over it. I like Nia Vardolos and she has a lot of fans out there.”

    They must have all been in a theater showing “The Hangover” the weekend “My Life in Ruins” came out.

  8. MY BIG FAT GREEK BITCH (an Ari Goldism) didn’t hold up the first time either. My wife’s relatives, when she told them she just didn’t see what the big deal was, kept insisting she was just too “cosmopolitan” now to enjoy it.

  9. Greek Wedding was a lousy movie. I saw it and couldn’t understand what all the fuss was about. It was a feature-length sitcom (which ironically bombed as an actual sitcom). I took issue with Vardalos who got an Oscar nomination for an “original” screenplay when in interviews she had claimed it was based on a play she wrote. Then she suddenly remembered that she had written the screenplay first and then turned it into a one-woman show. Her follow-up movies tanked, she disappeared for awhile and now is back and having flop after flop. I read the HuffPo piece and it was very self-serving. Clearly, I’m not a fan.

  10. The thing is, Vardalos is actually a decent actress – her work in GREEK WEDDING is the only fond memory I retain from that otherwise awful movie. She just writes sitcom-level scripts, and third-rate ones at that.

  11. One week, and it’s done at the Sunset 5 in L.A. (where even a Henry Jaglom film–blech–is being held over).

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