Ariel Levy has written a fair-minded, precisely observed and super-readable profile of Julie & Julia director-writer Nora Ephron in the 7.6.09 issue of The New Yorker . You'll need a subscription or a daypass (or whatever they call it) to read the full article, but trust me -- an excellent read.

That said, I'd be derelict if I didn't quote the last three paragraphs, which describe this August 7th Sony release, which costars Meryl Streep and Amy Adams, as half-transcendent and half-flat.
"I feel bad about what I'm going to do here," Ariel begins, aping a phrase that Ephron herself used in a scathing profile of former New York Post publisher Dorothy Schiff. "But the truth is, Julie & Julia is not a fair fight.
"For half he film we are in Paris with Julia Child played by Meryl Streep [italics hers]. It is pretty transcendent. For the other half, we are stuck in Long Island City, Queens, with the 'lowly cubicle worker' Julie Powell, a character who is immature, self-pitying, and frazzled (which is to say, an average human being). Powell is played by Amy Adams, who is a talented actress, but she is up against the queen herself.
"When Adams, as Julie, is on the screen, it necessarily means that Streep, as Julia, is not, and you come to resent her for this.
"It is possible that the film would not have worked if it were simply a biopic of Julia Child -- that it derives its narrative thrust and commercial potential from the interplay between a young woman idolizing and relying upon Child in the more-or-less present and the splendid story of Julia Child's past. Perhaps Child is able to emerge in this film as an almost mythical creature because she is presented in contrast to a mere mortal.
"But there may be another reason the Julia Child portions of Julie & Julia are so irresistably vivid and the Julie Powell bits feel a little flat. It is possible that Nora Ephron no longer understands half as well what it's like to be ordinary as she understands being remarkable.
"How would she?"
As you might guess, the kicker works much better if you've read the entire piece.
Posted by Jeffrey Wells on July 3, 2009 at 2:33 PM
comment #1
George Prager
says ...
Jim Sheridan could've made this movie work.
Posted by George Prager
at July 3, 2009 3:18 PM
comment #2
BurmaShave
says ...
Give it a rest, Prager.
Posted by BurmaShave
at July 3, 2009 3:19 PM
comment #3
George Prager
says ...
He could have! First, he would've cast Djimon Hounsou as Child, then her would've added a couple of U2 songs and suddenly, you have a Golden Globe nominee on your hands.
Posted by George Prager
at July 3, 2009 3:24 PM
comment #4
Gaydos
says ...
Er, uh, ummmm....isn't this a New Yorker movie review five weeks in advance of release?
Posted by Gaydos
at July 3, 2009 3:30 PM
comment #5
Ulysses
says ...
Although a newbie, I second the "give it a rest, Prager."
Posted by Ulysses
at July 3, 2009 4:49 PM
comment #6
Gordie Lachance
says ...
Gaydos-
Review embargoes are only for films that people are actually going to see.
Posted by Gordie Lachance
at July 4, 2009 1:00 AM
comment #7
Ben C
says ...
"For half he film we are in Paris with Julia Child played by Meryl Streep [italics his]."
Ariel Levy's a she.
Wells to Ben C.: No shit? Okay, fixed.
Posted by Ben C
at July 4, 2009 10:11 AM
comment #8
gafi
says ...
Si vous etes interesses par le dossier, ou desirez en savoir plus, contactez-moi par mail, et je vous mettrai en contact.
Best regards,Jane, CEO of virtualization high availability
Posted by gafi
at May 23, 2011 7:24 AM
comment #9
Natali Watson
says ...
Great article!) Thank you!
free music
Posted by Natali Watson
at June 23, 2011 7:56 AM