This 11.30 Claudia Eller/L.A. Times piece about the marketing of Up In The Air reminds us that selling motion pictures to the American public today is about the fine art of communicating with the dumbest, most under-educated and most culturally insulated people in the history of western civilization. Not to mention the most heavily narcotized (i.e., via food, alcohol, prescription drugs, constant TV watching, frequent visits to malls).
Listen to the marketing guys Eller runs quotes from. The way they talk about how audiences have to be approached just so, using just the right attitude and carefully chosen words. The marketers could be orderlies in an Oregon mental hospital in the early '60s talking about how to deal with Billy Bibbit, the Chief, Dale Harding, George Sorensen, Martini and Charles Cheswick.
Posted by Jeffrey Wells on November 29, 2009 at 7:09 PM
comment #1
COCO
says ...
My god, what a tough sell....the Eloi are a tough breed.
Posted by COCO
at November 29, 2009 7:32 PM
comment #2
Krillian
says ...
Thank goodness we're all superior to those unwashed cake-eaters.
Posted by Krillian
at November 29, 2009 7:43 PM
comment #3
DeeZee
says ...
It's hard out there for a celebrity sex offender.
http://tinyurl.com/yjarwob
Claire Danes on 'Orson Welles.
http://www.darkhorizons.com/interviews/1517/claire-danes-for-me-and-orson-welles-
Aren't you supposed to have a net for these things?
http://cbs2.com/local/aerialist.fall.Beverly.2.1339507.html
If it makes Jeff feel better, 'Orson Welles appears to be doing pretty well in limited release.
http://www.boxofficemojo.com/weekend/chart/thanksgiving/?yr=2009
And holy shit, Princess + the Frog made half a mil PTA in two theaters.
Anyway, I guess I was off, and New Moon had more staying power than Twilight, which might bode badly for Avatar and Lovely Bones. Or is it just weaker competition overall this year? Really surprised that 2012 survived past week three, though...
Christoph Waltz profiled.
http://tinyurl.com/yj8p75r
Sugar profiled.
http://tinyurl.com/ygvuykp
Up in the Air profiled.
http://tinyurl.com/yk7v8g9
I liked this, when it was called the alien autopsy.
http://www.variety.com/article/VR1118011925.html?categoryid=10&cs=1
Anyone wanna submit questions for an upcoming Avatar webcast?
http://www.variety.com/article/VR1118011922.html?categoryid=13&cs=1
Posted by DeeZee
at November 29, 2009 8:04 PM
comment #4
corey3rd
says ...
Marketers at this point are a rather worthless lot.
They don't seem to understand that when it comes to selling a movie, it's not about LCD Wal-mart knuckledragger appeal. They just have the simple job of telling me why this movie deserves not merely my attention, but the costs involved in going to the theater versus merely sticking it on my netflix queue.
Is it too hard for them to tell me why this will be the most amazing experience of the moment and I need to see it outside the safety of my home entertainment center? Today's marketers couldn't hype Crocadile Dundee or I Was A Teenage Werewolf. Tell me in 30 seconds why I need to take 3 hours out of my life to drive down to the theater, buy popcorn and watch your movie. Show me a trailer in the last five years as effective as Porkys had.
Posted by corey3rd
at November 29, 2009 8:12 PM
comment #5
DeeZee
says ...
DVR killed the prime-time talk-show. http://tinyurl.com/yhfg7em
Posted by DeeZee
at November 29, 2009 8:50 PM
comment #6
Terry McCarty
says ...
Since Jason Reitman shot the interviews with actual people under the subterfuge of making a "documentary", I'm wondering about BORAT-esque lawsuits to come.
Posted by Terry McCarty
at November 29, 2009 9:53 PM
comment #7
Telemachos
says ...
The interviews are presented as interviews and while they're never presented specifically as documentary footage, as far as I can tell the answers aren't taken out of context. They're essentially talking head montages that happen when Clooney has to go on firing sprees.
Posted by Telemachos
at November 29, 2009 10:18 PM
comment #8
HAL8999
says ...
I wish Eller had called out Paramount for the deceptive use of Zach Galifianakis in their TV campaign. He's in the movie for all of 2 minutes, but I've seen spots that suggest it's a two-hander with him and George.
Posted by HAL8999
at November 29, 2009 10:24 PM
comment #9
DeeZee
says ...
Mike tells it like it is. http://www.michaelmoore.com/words/mikes-letter/open-letter-president-obama-michael-moore
Posted by DeeZee
at November 30, 2009 1:11 AM
comment #10
BurmaShave
says ...
For the love of God Daniel, please stop.
Posted by BurmaShave
at November 30, 2009 7:53 AM
comment #11
lazarus
says ...
Anyone ready to start an email campaign yet?
Posted by lazarus
at November 30, 2009 8:48 AM
comment #12
Krillian
says ...
Corey3rd, I thought Where the Wild Things Are did a good job of marketing, but yes, these days, thinking of examples of good marketing is an exception. And yet most of what is greenlit is done so with marketing in mind.
Sometimes the team has it easy, like anything from Pixar. Sometimes you get handed Old Dogs or The Fourth Kind, and you're expected to work miracles.
My mind leaps to how Bandslam, which is an allegedly decent "School of Rock" vibe of a movie, got marketed to the High School Musical crowd and therefore died an ignominious box-office death.
Posted by Krillian
at November 30, 2009 9:50 AM
comment #13
TulseLuper
says ...
I have no sympathy for marketing people. They're a bunch of wimps these days. I'm sorry, but if Miramax could turn an independent Scottish film about heroin addicts without any stars called Trainspotting into a sleeper hit, then you have no excuse. The Hurt Locker underperformed because nobody knew about it. Up In The Air isn't doing too well because nobody can find it. Yes, there are a lot of morons out there, but I know several people who aren't film scholars who would love these movies.
Posted by TulseLuper
at November 30, 2009 10:53 AM
comment #14
Terry McCarty
says ...
Krillian wrote:
My mind leaps to how Bandslam, which is an allegedly decent "School of Rock" vibe of a movie, got marketed to the High School Musical crowd and therefore died an ignominious box-office death.
One guess is because Vanessa Hudgens was in it.
Posted by Terry McCarty
at November 30, 2009 10:06 PM
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