"There are moments" when Warner Home Video's new Gone With The Wind Bluray "simply looks 'better' than the previous DVDs," says DVD Beaver's Gary Tooze, "and then there are times when it makes you gasp. Most notable may be the colors -- flesh tones are warm at times but lose that yellow-orangey look of the SD transfers. Detail advances to as high a degree as we are likely to see for this 70-year old classic."

The GWTW Bluray streets on 11.17. I haven't received a copy myself but then again I'm at a new Brooklyn address.
"Whites are whiter (no longer creamy), blacks are pitch and the dual-layered, 44 Gig transfer of this almost four-hour film shares the disc with only the Rudy Behlmer commentary and some extensive foreign language dubs and subtitle options.
"Gone With the Wind's enormity is half the experience and it's big here -- very BIG. Contrast and lighting visuals have some jaw-dropping moments and I can't imagine it looking any better for your home theater enjoyment. There is less grain that I would have thought but I don't feel there was an over-abundance of digital manipulation, and it is smooth in motion."
Tooze doesn't mention that his screen-grab comparisons indicate that the Bluray offers slightly more picture information on the sides than the previous standard DVD issue of this 1939 mega-classic. Look closely and you'll see extra info on both the left and right sides of the Bluray captures.
It can't be overstated that while Gone With The Wind is nominally about the agonies caused by the Civil War in the 1860s and the deprivations of Reconstruction from 1865 through the late 1870s, it is at heart a portrait of the sufferings Americans went through during the Great Depression of the 1930s. Which links to today, in a sense, in that most Americans are grappling with the bite of the Great Recession, despite recent cheering by the elite Wall Street crowd that the hard times are pretty much over. For them, maybe.
Posted by Jeffrey Wells on November 9, 2009 at 8:53 AM
comment #1
Travis Crabtree
says ...
It's hard to believe that movie could look any better. I swear last time I saw it in a theater (five years ago-ish?) it damn-near felt like 3-D. When Scarlett's father is telling her about how important land is to anybody with a "drop of Irish blood in them" I thought he was talking to me.
Funny, but usually a new technology looks sketchy at first and then, as time goes by, it gets better and better. And yet, I can hardly think of a Technicolor film that looks as good or better than GWTW.
Posted by Travis Crabtree
at November 9, 2009 9:59 AM
comment #2
crazynine
says ...
Wow, that Blu-Ray is VERY impressive. Beautiful.
Oh, and while I think the anti-grain crowd (of one?) is hyperbolic, I always make the concession to color movies. Unless you're spaghetti western or a grindhouse classic, color movies shouldn't have grain, and I have no beef whatsoever with losing it. Grain is part of black & white's charm; color's charm is from providing a vivid depiction of reality.
Posted by crazynine
at November 9, 2009 10:48 AM
comment #3
Anthony Thorne
says ...
"color movies shouldn't have grain"
They can have it if they want it. I doubt I'd imagine EYES WIDE SHUT had been improved if some post-production tech nerd went over it and digitally removed the grain from it.
Posted by Anthony Thorne
at November 9, 2009 12:06 PM
comment #4
Jonathan Spuij
says ...
That dvd transfer on the 4-disc super set was already awesome and super detailed. The whole package was excellent btw.
But these Bluray shots are blowing me away even more. This might even incite me to finally get a BD player and this disc with it. Wow, just wow!
Posted by Jonathan Spuij
at November 9, 2009 12:51 PM