“I’m The Guy!”
The new trailer for James Mangold‘s Knight and Day (20th Century Fox, 6.25) is suggesting that it may be a comedic Collateral. Tom Cruise‘s Milner (sardonic violent guy parachuting into the life of an average citizen) is Vincent again, and Cameron Diaz is Jamie Foxx‘s Max.
But will it pay off like Collateral? Will Milner prove to be an angel of salvation in disguise (as Vincent was for Max)? Which is to say, will Diaz’s June Havens be portrayed as someone who could use a good swift kick in the pants, or as a character with any depth at all? We’d all be delighted if Mangold could channel Michael Mann, but how would this sit with Tom Rothman? The more this film has been tailored to appeal to Diaz fans, the worse it will be — I know that much.
The older Cruise gets, the more interesting his face becomes. Pretty boys all come into full spiritual flower when they hit their 40s and 50s.
The cool European locations were in Salzburg, Sevilla and Cadiz.
“Nobody follow us or I kill myself and then her!”
There is no way that this will be another Collateral (which hits Blu Ray today, btw).
This will be Cruise’s Mr and Mrs Smith. Not saying there’s anything wrong with that, either.
Mangold is very solid but he’s never done car-flippin’ action before. From the trailer, it looks like he’s brought a nice eye to the set-pieces. It could be silly summer fun. I’m curious. I’ve always liked watching Cruise on the big screen.
Maybe it’s just me, but I think that’s an excellent trailer. I think audiences will go for it, too. Offers a nice change to the CGI superheroes this summer.
Wait, isn’t the one Wells posted the one we’ve already seen? Here’s the one I was referring to: http://www.traileraddict.com/trailer/knight-day/feature-trailer
from the first second this trailer came on in the theatre, i was happy to see Cruise on the big screen again in a likable, Tom Cruise-y role. Like him or not, he’s a movie star, one of the last ones left.
“nobody follows us or I kill myself, then her.”
With the right script, Cruise can do funny.
Duke: Yes, that line is great.
Ryan: Yes, that’s the existing trailer.
action: The two-gun stance Cruise strikes toward the end is damn near the same shot as Pitt/Jolie in “Smith,” so yes to that one, too.
The action looks good but not sure if it’s good enough to balance out the weak humor. After seeing the 2 trailers I am still not inclined to see it in a theater.
I agree with you, Ryan. Say what you want about the guy’s personal “religious” convictions (as abhorrent as they are), Tom Cruise is on the last great American movie stars.
This looks like it could be a fun summertime confection. But what’s with that title? The original title was Wichita (which had to be changed, of course, given that it is so anti-blockbuster and lacks a lowest common denominator, populist fare factor), but Knight & Day isn’t that much of an improvement, in my opinion.
I’ve read the original script and it’s pretty damn entertaining. It’s a very tightly-plotted piece, relentless even. I look forward to seeing this.
Isn’t this just the first trailer again? I saw this exact same cut before “Avatar” three months ago.
I said a few years back after (MI:III) that the only way Cruise would pull himself out of the publicity mess he’s in is if he transfers his maniac energy into comedy. Tropic Thunder was a good start and this “Scarecrow & Mrs King” on cocaine thing could keep things going in the right direction.
Eloi Manning’s got the new trailer link back on Comment #3.
No way this will be anywhere near as good as Collateral.
“Eloi Manning’s got the new trailer link back on Comment #3.”
Oh, thanks. That’s what I get for just skimming through the comments…
The new trailer is one of the best I’ve seen in a long time. It takes what should be a frothy Bounty Hunter romp and makes it look must-see. We can probably thank Mangold for that.
To be fair, any trailer is improved with Muse’s “Uprising” in the background. Even that lame V remake on ABC looks like essential viewing with Muse in the background.
“The more this film has been tailored to appeal to Diaz fans, the worse it will be.”
That’s a problem then for Rothman, as female fans of Diaz are exactly who Cruise has lost in recent years. You need them if this is gonna do Mr. Smith B.O.
I have the script for this. It’s a little more loopy than the straight-forward trailer suggests, with lots of twists for the sake of twists and phoney-baloney reversals and unearned fate-of-the-world stakes. But I’ve also heard Mangold made massive changes to smooth it out and make it an attitude piece, and he’s a damn good director, so who knows.
I think Steve Guttenberg is really Steve Guttenberg, Don Murphy is Don Murphy, and George Hickenlooper is George Hickenlooper.
But is Vinessa Shaw really Vinessa Shaw, or is this poster just riffing on the fact that Wells was like a dog in heat trying to obtain naked pictures of her a while back?
As soon as Muse kicks in, my eyes gloss over & I completely tune out. One of my biggest pet peeves is when a commercial or trailer takes a hit song & slaps it all over their crap. Of course people are going to like it…the song is already a huge hit. It’s such lazy marketing.
It’s the same thing as sampling a hit song from 30 years ago. If people liked it then, they are going to like it now.
It’s really annoying when you start watching an old trailer waiting for it to be new. Wells, come on, dude.
Kesha’s “Tik Tok” and Black Eyed Peas’ “I Gotta Feeling” have been on the trailers of every romantic comedy released in the last year.
James Mangols is a “great director”? In what universe? Compared with whom?
Surely, he’s competent. But great?
You should know, Vinessa, you worked with him in 3:10 to Yuma.
I find that I spend an alarming amount of time defending Tom Cruise as an actor. I’m not a huge fan, but I haven’t the slightest problem with him AS AN ACTOR. I’m always surprised by how many people are “bugged” by him.
Yes, the trailer looks really good. In fact, it was the best thing about my otherwise awful, fateful, ill-advised, second trip to “Avatard”.
Pet peeve, though….. I’ve always hated using “Knight” in a play on words. arrrrrggggg.
Perhaps Cameron can look at Cruise through her Knight Vision goggles. Eh? Eh? Good Knight, and good luck.
Wells I think it’s hilarious you actually believe that the face you are seeing is really one Tom Cruise grew into and not one completely resurfaced and tucked by the best doctor Scientology money can buy. That is not his natural face.
Crabtree: Women are incapable of separating actors from their off-screen persona, because they read gossip mags all day and Knight. But men don’t really seem to care about Cruise’s off-screen antics, and still like him as Maverick Pete Mitchell. Most men I know don’t have a problem with Cruise, but it’s women who think he’s creepy or weird.
Um, no. That is his natural face. Where has he had work done, Mr Plastic Surgery Expert? Surely not around his eyes.
Travis, I completely agree. I feel an equal amount of disdain for people who use the word Reel in the same manner. Like Reel Life or the Reel Truth. It’s lazy and annoying.
It’s an okay trailer – although not incredibly different or much better than the first one – but it’s curious to see that Diaz’s character both 1) can’t shoot a gun without freaking out and also 2) hops around on a moving motorcycle, grabs two handguns and then rather decisively fires them with predictably action-movie results.
So thanks, trailer, for either telling me that she also turns out to be a spy in the third act, or that your damn movie doesn’t come close to playing by the rules it will fail to establish.
The best thing about the trailer is that – unlike most trailers nowadays – you don’t know where this thing is going, or why.
Mangold has TWO Oscar winners for Best Actress under his belt. If nothing else, that makes him a director of note. Look him up.
Oh, Vinessa. Truly you are a face expert and I defer to you. Delusional good times.
Delusional, Joe? Try EMPIRICAL. Where’s the proof?
What do you think he has had done? Be specific.
It is possible that he takes really good care of himself–which is obvious given how well he has aged. But the guys has still aged and has lines in his face, and drooping lower eyelids, etc. He just doesn’t look like he’s had work. That’s all I’m saying.
Spartan, I was in 3:10 to Yuma, so I am QUITE AWARE of Mr. Mangold’s ouevre. And there are DOZENS of hack filmmakers who have made movies that have garnered many awards for the performances in those movies.
I’m not saying Mangold is hack, mind you. I just don’t think he’s achieved greatness as an earlier poster suggested.
Has he made a GREAT film? A classic? Even one?
Heavy? Copland? Identity? Kate & Fucking Leopold?
And don’t even get my started on Walk the Line and Reese Witherspoon’s performance in that film. She won that Oscar because, just like Julia Robert before her and Sandra Bollock after her, she has made a lot of people a whole lot of money. And I say that as someone who doesn’t mind her all that much.
I think Yuma is his best work to date, quite frankly. But I’m biased.
And since when does an Oscar nom or win mean anything as far as someone’s greatness is concerned? Honestly, making that correlation is a bit naive, don’t you think?
It really is amazing that Cruise basically “isn’t” a movie star anymore. He should be in THE prime of his career right now – just old enough to be taken seriously, good shape enough to be a leading man, etc – and instead the arrival here almost plays like a novelty act: “Oh, wow! Remember when he used to be in action movies?”
I’m not saying there’s no coming back, but when was the last time a star at his level basically “popped” EXCLUSIVELY due to people thinking he’s a nut? Mel Gibson doesn’t count, he was already transitioning to behind the camera when Passion/Sugar Tits went down.
This Vinessa Shaw mystery is driving me crazy. On the one hand, she says things like “I was in 3:10 to Yuma, so I am QUITE AWARE of Mr. Mangold’s ouevre. . . . I think Yuma is his best work to date, quite frankly. But I’m biased.”
But, on the other hand, she says a lot of things that would indicate she never wants to work in Hollywood again. Is she or is she not the real Vinessa? I gots to know.
Good Lord, that looks absolutely turgid. Like someone thought Jerry Maguire would be better if it had some stupid action scenes in it.
“This Vinessa Shaw mystery.”
The big question is whether DeeZee gave her copies of the infamous incriminating photos. If anyone deserves them, it’s she.
What I want to know is whether or not The Movie Bob is also the same guy as Dr. Bob.
CRUISE POWER.
Greatest actor and movie star in the world.
Why would I want photos of my own tits, Floyd? I could just look down, you know?
You should be careful, though. I don’t think Jeff will take too kindly to even a passing mention of that sillly, drummed up controversy. You should tread a bit more lightly.
And the idea that DeeZee might be looking at half naked photo of me might cause me to regret having done that scene in question. But I did get an extra 75 grand added to my quote, so maybe it was worth it after all.
Cruise power is right! And despite what you may have heard, he’s a really nice guy who loves making movies and epitomizes what it means to be a professional.
He was so sweet to me on Eyes. After one long night that had started at five am and lasted till four the next morning, he saw that I was exhausted and on the edge of tears after shooting the 87th take of him crossing the room to touch my shoulders, he approached Stanley on my behalf and told him that we had to (finally!) call it a night.
I will never forget that. He’s really a sweetheart and I hope he rebounds because we need people like him in this business, regardless of what one might think of his his extracurricular activities.
He’s a real movie star and a real gentleman to boot. Cruise power? Without a doubt!
Nope. Movie Bob is a completely different bloke. If you are the real Vinessa Shaw, would you mind going out on a date with LexG. He really needs to get laid pronto. And, only hollywood starlet p**** will do.
Wasn’t Vinessa Shaw in Eyes Wide Shut?
I find it hard to believe that the Shaw that criticised Mangold on this website is the same Shaw that worked for him in Yuma.
Oh looks like she already mentioned Eyes.
And how come nobody has yet commented on Diaz wearing a bikini in the new trailer? Not even Lexg.
DeeZee has admitted to have incriminating photos of the prop. of this site.
Incriminating photos of Jeff? Now those I’d like to see!
Tall. Big hands. Hmm…you know what that means.
V.S.: no reason to argue over “Surely, he’s competent. But great?” versus, “…a director of note. Look him up.” Here’s my point: looking through IMDB, I was surprised at how much James Mangold has accomplished, especially over the last ten years or so. I strikes me, his forte as a director may be less in camera-work flash and more in getting actor’s performances that ring true. I know Cop Land isn’t a great movie, but when I saw it, it struck me as a breath of fresh air with how normal and under-played Stallone came across. Not many Stallone movies like that. With all that’s in Mangold’s record, it’s why I think he’s more than (just) competent. And if 3:10 to Yuman IS his best to date, (as you think), then all the more reason to look forward to his upcoming film with Cruise & Diaz.
RE: work done on Cruise’s face. No knife; hardly anyone cuts themselves anymore, unless it’s a neck tuck. But microdermabrasion followed by fillers in the cheeks.
Mangold’s Copland is fucking incredible. Easily his best work to date. Yuma is #2, Walk the Line #3.
Personally my favorite Mangold is HEAVY.
Back from when Liv Tyler wasn’t.
Or Laser ablation? Fine. I’m done arguing. Maybe you’re right. I don’t know. Who cares. He’s still quite handsome. Though, a bit shorter than me. But I can wear flats.
Spartan, two things. First, James is solid. Truly. I mean that. But he’s not considered A-list by anyone in this town. Maybe B/B+ list, though, and this movie will probably help to move him up the ladder.
I think my comment was less motivated by the actually quality of his work than the type of films he makes.
Michael Bay might be A-list in the eyes of the studio heads cause his movies make shitloads of money. But I was thinking in terms of A-list in an artistic sense. And he’s never going to get that type of artistic respect (the same type that P.T Anderson or The Coen Brothers get) if he continues to make genre pictures).
Do I think he has the stuff? Absolutely. It’s just a question of finding better nee different material if he wants the Moive Gods to bestow immortality upon him.
Secondly, what does your name mean, exactly? I’m asking cause it’s got a nice ring to it.
V.S. Cool. Figured we weren’t that far apart in consideration of Mr. Mangold. Um, my handle?…
A while back, Jeff was looking for the text of a particular scene from Go Tell the Spartans, (where Burt Lancaster’s Major Barker recounts an especially ribald tale of why he’ll never make Colonel). Took me an hour to transcribe, (Jeff posted it) and I figured THAT was my entry fee to join the merry band of HE commenters. Seeing my raison d’etre I could tap the same cadence as William Tell was just luck.
Thanks.
Ah, that explains it! Thanks.
I thought it had to do with some sort of historical footnote that I was unaware of. I thought it might have had to do with some event where Spartans were planning a secret battle, but they were inept at keeping things quiet cause they had a “tell” as in if they were trying to pull off a con or a bluff but they would always get caught cause they had some subconscious tic indicating they real truth that they were not aware of themselves.
Spartan – you’re wrong about Mangold. Reese is the only actress to win Best Actress for one of his movies. I assume you’re mistaking Jolie’s win for a “Best Actress” win. (But maybe you’re thinking of Stephen Daldry, another nothing-special director, who actually did direct two Best Actress winning performances?)
My problem with Mangold is that all of his movies feel like imitations of movies. They’re all trying really hard to be simple recreations of other things. I mean, ’3:10 to Yuma’ isn’t terrible, but there’s not a moment in there that wasn’t done better before Sam Peckinpah even started making movies.
Still laughing about my Liv Tyler joke.
Not saying that there isn’t plenty of work being done on both sides of the aisle with male and female movie stars, but Cruise HAS indeed pretty much looked EXACTLY the same for 27 years; He’s maybe vaguely more gaunt in the last four or five, but his hair, weight, and looks are those of someone 20 years younger. Was watching 24 last night, and aside from that matte-down hair that could be either a slight piece or concealing a little pattern action, Kiefer Sutherland has looked the same since 1986. Brad Pitt can look a little craggy, but he’s still essentially THE SAME PERSON as he was in 1991.
But then look across the aisle, and all these 30ish actresses have that JOHNNY HANDSOME face filled with botulism, have all kinds of weird weight upswings and downturns, do all kinds of crazy shit with their hair, their eyebrows, their noses. Tom Cruise still essentially looks like his MAVERICK self, then you look at THE IT GIRLS OF *1996* (Tyler, Alicia Silverstone, Neve Campbell, Jennifer Love Hewitt, even Angelina Jolie), and it’s like they’ve had wholesale HEAD AND BODY TRANSPLANTS. Some for the better (Hewitt), but 33-year-old Tyler had like a four-year window of *staggering beauty* then suddenly turned into a blowsy schoolmarm… her distinctive features just got kind of… weird.
I still totally dig Diaz, and props on keeping it fairly real with regard to lines and stuff. In her case though, and it couldn’t be helped, she had that nose-break that forced a corrective surgery, and she’s looked a little jarringly different since. But she’s still hot and fun and awesome, and doesn’t seem like some GRANDMA or MARM before her time with weird duck lips and some exaggerated gay-camp fashion sense or weight gain.
In other words, LEXG of ALL PEOPLE is telling all actresses to go the Diaz/Watts route and age with some goddamn dignity and you can still be HOT, but if you inject your head with Botox you’ll look like fucking Pumpkinhead.
Gordon, I believe you’re incorrect. Didn’t Jolie win SUPPORTING actress for Girl (which WAS directed by Mangold)?
And 3:10 was a solid remake with some really good performances from Ben Foster, Russell, and myself (of course!)
Yeah this looks alright. I like that Cruise is playing a semi-crazy/unhinged character and perhaps winking to the audience about his nutty public persona. I could do without the silly Diaz stuff where she can’t count to three, but, it’s summertime, gonna be hot, I need air conditioning. Hello, Knight and Day!
And even though Billy Eliot has some visceral camera work, the rest of Daldry’s stuff is just a lot of master shots. But that makes sense because he comes from a theatrical background, so he tends to work in a broader, less focused, more proscenium arch viewing sort of way.
James’ work is much more fluid, in my opinion.
By the way, how’s the short coming, Gordon?
“Didn’t Jolie win SUPPORTING actress for Girl (which WAS directed by Mangold)?”
Yes; my point is, that is not the same award as Best Actress. Being fair to him, I assume he’s just misremembering because a lot of people thought she should’ve been pushed for Best Actress (my understanding is, Weinstein — the guy who was trying to make Mangold the next Tarantino — thought it would be an easier win).
The short is done, but we’ve been having some minor issues with the export. [Not to threadjack but, essentially, there are different gamma settings on a Mac and a PC , meaning that what looks great on a Mac (which, obviously, we edited on) looks really bad on a PC. So we've been trying to get the shots right for vimeo (I'm now resigned to a slight amount of pixel clouding, as long as it doesn't cross any faces or anything). We have a DVD export that looks fantastic, though, so we're getting the menu together for that. After that, we've got a bunch of application deadlines all through April -- May 15th is the application for the Independent Feature Market, which sounds fun.
Luckily, that novel-gig came through, the one I was taunting DZ about having gotten, so, between that and my tax rebate, I can afford to put some money into applications and promotional material.]
As for 3:10 to Yuma, my main problem with it is the gigantic plot holes; the performances are fine, but it’s a genre movie, so plot is important, and the plot falls apart the longer the movie goes on. Also, Crowe is as bad as he’s ever been (which, granted, is still pretty good). Foster, well, he’s love-him-or-hate-him, because he’s exactly the same in everything (except “X-Men”, I guess). But I never believed him as a bad guy; a guy that annoying and not-scary would’ve been killed the day he got off the train from wherever he came from back East where he thought that voice would be a tough-guy voice.
Gordn27: absolutely correct to call me on my misstatement of fact. One Best Actress and one Best Supporting Actress in Mangold’s oeuve. Also won’t argue Mangold vs. Peckinpah re: 3:10 as it does feel way too modern in its characters language and behaviors, and in its action-beats. Still, (as I struggle for the right words), my point is James Mangold works (in IMDB) clearly indicate to ME “a director of note”: a lot of dues paid, a lot of writing credits, a lot of name actors in his films and a lot of industry accolades strewn about. Heck, the more I think about how the guy’s steadily grown, the more I think Knight and Day has a chance to live up to its excellent trailers. Will it be fluff? Of course. But could it be the action-romantic-comedy of the Summer or the year? Could be…Mangold could be stepping up to make couples-balanced date-movie fluff that brings big bucks.
actionman: I dunno. I’m getting Bird on a Wire vibes from this thing…That actually did pretty well for its budget, but that was Mel when he was still fresh off Lethal Weapon; and Cruise ain’t as cheap.
Eloi: I think it’s an average trailer, but that didn’t stop “What Happens in Vegas” from making money. Though I’m not sure if Cruise is as big a draw now as when he last did MI 3.
Sams: I agree. Diaz comes off as annoying as Capshaw in ToD.
Vinessa: You got some nice IMDB pics. I’d rank you as more attractive than Uma and Kristen Johnson.
Don’t have anything scandalous of you, though, since I don’t keep up with ambitious indie movies which go nowhere. And yeah, considering Reese “broke out” with a PG-13 David Lynch sitcom and then went on from Walk the Line to do Ghost Wife, I can sort of agree with you that she was only picked, ‘cus she looked pretty. I liked her in WTL, but she wasn’t the best part of it.
Lex: Dude, Pitt looks like a younger version of Mel now. Have you seen the facial hair photos?
As for incriminating photos, you’re right. I have photos of Jeff going to a party in East L.A.
Remember that time when you complained about the quality of page-editing and page-proofing, while admitting “I make mistakes like this from time to time, but I fix them within minutes”?
Hmmmm…
Jeff Wells…in EAST L.A!? The very same EAST L.A. brimming with HISPANIC PARTY ELEPHANTS!? Scandalous, I tell you. SCAN-DA-LOUS!
Is he clothed in them? Cause what I really want is some hot, naked Wells action.
As I mentioned earlier….TALL? Check. Big Hands? Check. Big Shoes? Check. We all know what these things add up to. No? Well then I’ll tell you. They add up to YUM!
You know what I would love? I would love to see Jeffrey do a duet with this guy, singing this song:
http://www.youtube.com/watch?v=nba8VPO0LQw
Now that would be truly inspired, don’t you think?
Just the thought of it makes me sigh. Just the thought of it makes me want to sing. I think I need to go now and change my underthings.
Vinessa Shaw = LexG. Pretty sure
C.K.: if so, it’s one for the HE records books. V.S.’s long letter to Lex on how to improve his life…classic, either way.
Vinessa: You know I’m bein’ sarcastic, right?
Spartan – looking into it, I think there’s actually only one other working director (besides Daldry) who actually has directed two Best Actresses, and the other one is James Brooks who rarely works… it looks slightly more frequent for Best Actors (Scorsese and Demme, plus Milos Forman if he’s still working). [For somebody who they always say was hated by the Oscars, Scorsese is the only living director to direct an academy award winning performance in all four categories -- even more remarkably, I believe each was in a different decade.]
I don’t mean to dismiss Mangold’s talent, he does have some. But I think he’s never made a great movie, and even his better ones leave me kind of cold.
Man, I love the knowledgeable minutiae folks can bring up in the HE comments. It’s getting late, but thanks for taking the time to throw down.
A thought came to me, so I checked: Walk the Line, 28M budget; 3:10, 55M budget. Figure Knight and Day probablyly clocks at over 100M, right? I gotta figure there’s a learning curve for directors in dealing with larger and larger budgets. Don’t know if it means anything, but someone in Tinsel Town likes Mangold’s path.
Knight and Day looks fun, but I kind of ascribe it more to Cruise-as-auteur than Mangold. It seems to me like Cruise spent a while working with “great” directors and now he’s looking to do movies with slightly more up-and-coming directors that he can control [at least for the bigger ones, like MI:3 going to J.J. Abrams]. Especially after the Singer one fell apart so badly.
And maybe that’s for the best; there’s nothing wrong with being solid, and if the movie delivers like the trailer, it’ll probably be my favorite Mangold movie.
I guess it used to be more common; even Delbert Mann did it! But George Cukor looks to be the only one to direct three best actors (I think two best actresses, not sure)… and William Wyler directed *four* best actresses!
Meanwhile, Spielberg’s never done it, and Altman never did it [there aren't many other notable American directors who haven't].
Oh no, Deez, you were pulling my leg? For shame!
You’re such a tease, DeeZee, such a tease!
“Cause what I really want is some hot, naked Wells action.”
Eh, she blew her cover. Definitely not Vinessa Shaw.
Cruise, like Brad Pit, has had multiple ‘subtle’ plastic surgeries throughout the years. If he (and Pitt) only had it done once, and once only, it would be too jarring, and everyone would be able to notice.
On a hunch from the writing style, I ran Vinessa Shaw’s text through an internet writing gender analyzer.
I am disappointed but not surprised to reveal that it seems the real Vinessa Shaw is not in our midst.
Darth, good work. This actually helps back up my theory.
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The experience looks good but not confident that it is great enough to normalize the weak humor. After looking at both the trailers I am still not inclined to find out it in a theater. For Sale
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