An excerpt from a 12.30 article by Matt Brennan on Anne Thompson‘s Indiewire page: “More than The Artist, the Oscar frontrunner, Alexander Payne‘s The Descendants — the only other legitimate contender — presents emotion as complicated, world-worn, human.
“Don’t get me wrong; The Artist is a lovely little film. It’s a nostalgic blast from the past and impeccably made, the very kind of perfect that The Descendants is not. But whereas The Artist is a slip of a film, a shiny bauble without much weight, The Descendants takes on the heft of life’s messy actualities. Though my real favorite of the year, The Tree of Life, has no chance of winning (if it even snags a nomination), it’d behoove the Academy to stand behind a film so fierce, and funny, and wise as The Descendants.
“Compared to The Artist, it’s not the easy choice, but it’s the right one.”