Markus Schleinzer‘s Michael, a “somewhat chilly, jewel-precise” study of an Austrian child molester, “is the absolute best film I’ve seen at the 2011 Cannes Film Festival so far,” I wrote on 5.14.11. “It isn’t pleasant to watch, but it’s briliiant — emotionally suppressed in a correct way that blends with the protagonist, and aesthetically disciplined and close to spellbinding.”
Michael will play at Manhattan’s Film Forum from 2.15 through 2.28. An absolute must-see, if only to get into the argument.
I wrote the following reply to a Glenn Kenny post on 5.14: “Those who wrote or implied that Michael is ‘Haneke-Lite… sadistic sucker bait for rubes who can’t distinguish faux art film from real’ are playing a familiar game…they find a film emotionally discomforting so they resort to the default dweeb putdown — i.e., you’re just not smart or educated enough to understand what a sucker you are. I’ve seen Michael & I know what it really is, and what astonishing & stunning bullshit this is from the ‘pallies’ who are using the elitist line.”