“A dark river of fatalism courses beneath the beautifully photographed vistas of Slow West an intriguingly off-center Western that brings a bevy of European talent to bear on an American frontier story. John Maclean’s impeccably crafted writing-directing debut at times has a distinctly Coen-esque flavor in its mix of sly intelligence, bleak humor and unsettling violence, exuding fierce confidence even when these qualities don’t always cohere in the smoothest or most emotionally impactful fashion.” — from Justin Chang‘s 2.13.15 Variety review.

I was kidding, of course, about Ben Mendelsohn breaking out the Marlboros and working up a good, greasy sweat for his Rogue One performance as the cruel but brilliant Orson Krennic, an Imperial Military Director obsessed with the completion of the Death Star project. I know the scheme — Imperial villains are always cool, crisp fellows, and only members of the rebellion are allowed to perspire. But Mendelsohn needs to sweat and chain smoke. It’s who he is, what keeps him going. If fortune smiles Mendelsohn will one day be cast in an HBO miniseries as Ben Sweat, a pervy Southern plantation owner and the grand-nephew of Ben Quick, the Long Hot Summer barn-burner played by Paul Newman.

It hit me the other day that I don’t really like Michael Fassbender any more. I’ve been deliberating about whether to mention this or not, but I’ve come to associate him with surly vibes and unenjoyable films. I’m just tired of that chilly “fuck you” look of his. He was exceptional in Ridley Scott‘s The Counselor and Steve McQueen’s 12 Years A Slave, but otherwise I haven’t much cared for his choices or his performances over the last two years. I’m not suggesting a criminal indictment but this feeling I have about him won’t go away.

Eight years ago Fassbender was a major discovery and unsuppressable energy force in Steve McQueen‘s Hunger and Andrea Arnold‘s Fish Tank. I didn’t love everything he did between ’09 and ’12 but he was making good choices and I was impressed by that manly, non-smiling thing and flinty vibe. He felt steady, planted, committed. Jane Eyre, X-Men: First Class, A Dangerous Method, Shame, Haywire…good films, good work.

For me the first negative ping began when Fassbender appeared at the beginning of Prometheus wearing sandals — I recoiled big-time when I saw that. I despised his hidden lead performance in Frank, and in fact his decision to star in that hugely irritating film at all. I didn’t get around to seeing him in Slow West until it began to stream, but it struck me as another flunk. And I just began to tire of his glare-y attitude during the last two X-Men films.

Here once again is HE’s best spitball roster of 2025’s strongest, most distinctive films…40 in all.

This is not about the likelihood of big box-office but about films that people may feel riveted, disturbed, challenged, gobsmacked or turned on by, or might even feel compelled to nominate for awards.

HE readers went to sleep on my previous list of 32 or thereabouts, so I’m giving it another shot.

If I’ve left any seemingly important films out, please advise.

3.10, 9 am update: Having just added Richard Linklater’s Nouvelle Vague and Alex Garland and Ray Mendoza‘s Warfare (A24, 4.25), yesterday’s list of 38 titles is now 40.

Please consider the 40 and select ten films that you suspect will most likely emerge as the year’s hottest (i.e., well-reviewed, award-calibre, most talked about).

And just for fun, identify the film that seems (emphasis on the “s” word) most likely to win the Best Picture Oscar in early ’26.

1. Kathryn Bigelow‘s Untitled White House Thriller (Netflix), about coping with an incoming missile. Written by Noah Oppenheim, pic has been in post since last December. Willa Fitzgerald, Idris Elba, Rebecca Ferguson, Gabriel Basso, Jared Harris, Greta Lee, Tracy Letts, Moses Ingram, Anthony Ramos, Brian Tee, Jonah Hauer-King, Kyle Allen, Jason Clarke.

2. Noah Baumbach‘s Jay Kelly (Netflix), a coming-of-age comedy-drama, directed and co-written by Baumbach with Emily Mortimer. Costarring George Clooney, Adam Sandler, Laura Dern, Riley Keough, Billy Crudup, Jim Broadbent, Isla Fisher, Greta Gerwig, Eve Hewson, Stacy Keach, Mortimer, Charlie Rowe, Patrick Wilson, Lars Eidinger.

3. David Mackenzie‘s Fuze, a British heist film that sounds extra-good. Aaron Taylor-Johnson, Theo James, Sam Worthington, Gugu Mbatha-Raw, Saffron Hocking, Elham Ehsas, Honor Swinton Byrne.

4. Joachim Trier‘s Sentimental Value, a comedy-drama directed by Joachim Trier, who co-wrote the screenplay with Eskil Vogt. Costarring Renate Reinsve, Inga Ibsdotter Lilleaas, Stellan Skarsgård, Elle Fanning, Cory Michael Smith.

5. John Carney‘s Power Ballad (Lionsgate), about a conflict between a rock star and a wedding singer. Paul Rudd, Nick Jonas, Jack Reynor, Havana Rose Liu, Sophie Vavasseur.

6. Darren Aronofsky‘s Caught Stealing (Sony, 8.29). “Burned-out ex-baseball player Hank Thompson (Austin Butler), forced to navigate a treacherous underworld he never imagined”…too wordy. Costarring Zoë Kravitz, Regina King, Matt Smith, Liev Schreiber, Will Brill, Bad Bunny, Griffin Dunne, Vincent D’Onofrio.

7. Scott Cooper‘s Deliver Me from Nowhere (20th Century, sometime in the fall). Jeremy Allen White as Bruce Springsteen in another boomer nostalgia pic, focusing on the recording of Nebraska (’82). Costarring Stephen Graham, Odessa Young, Paul Walter Hauser, Gaby Hoffmann, Johnny Cannizzaro, Harrison Gilbertson, Marc Maron.

8. Edward Berger‘s The Ballad of a Small Player (Netflix). Synopsis: When his past and debts start to catch up, a high-stakes gambler laying low in Macau encounters a kindred spirit who might hold the key to his salvation,” blah blah. Colin Farrell, Tilda Swinton, Fala Chen

9. Tom Cruise and Chris McQuarrie‘s Mission: Impossible — The Final Reckoning (Paramount, 5.23).

10. Joseph Kosinski‘s F1 (Warner Bros., 6.27). Brad Pitt, Damson Idris (black dudes can’t die!), Kerry Condon, Tobias Menzies, Javier Bardem, Kim Bodnia, Shea Whigham.

11. Antoine Fuqua‘s Michael (Universal. 10.3.25). Reportedly sanitized life of the late Michael Jackson. Jaafar Jackson, Juliano Krue Valdi, Colman Domingo, Nia Long, Miles Teller, Laura Harrier.

12. Paul Thomas Anderson‘s One Battle After Another (Warner Bros., 8.25). Leonardo DiCaprio, Regina Hall, Sean Penn, Alana Haim, Teyana Taylor, Wood Harris, Benicio del Toro.

13. Luca Guadagnino‘s After The Hunt (Amazon MGM, 10.10.25). An academic setting obviously indicates some kind of anti-wokester, anti-Zoomer drama…right? Julia Roberts, Ayo Edebiri, Andrew Garfield, Michael Stuhlbarg, Chloë Sevigny.

14. Josh Safdie‘s Marty Supreme (A24, 12.25) — a ‘50s period drama about a ping-pong champ. Timothée Chalamet, Gwyneth Paltrow, Tyler the Creator, Odessa A’zion, Penn Jillette, Kevin O’Leary, Abel Ferrara, Fran Drescher, Sandra Bernhard.

15. Spike Lee‘s Highest 2 Lowest (remake of Akira Kurosawa‘s High and Low, a kidnapping-ransom drama that I’ve never liked). (No date, A24 / Apple TV+)Denzel Washington, Ilfenesh Hadera, Jeffrey Wright, Ice Spice, ASAP Rocky.

16. Ari Aster‘s Eddington (A24). A “contemporary western with a darkly comedic attitude.” Joaquin Phoenix, Pedro Pascal, Emma Stone, Austin Butler, Luke Grimes, Deirdre O’Connell, Micheal Ward, Clifton Collins Jr.

17. Guillermo del Toro‘s Frankenstein (Netflix, November)….again? Oscar Isaac, Jacob Elordi, Mia Goth, Christoph Waltz, Felix Kammerer, Lars Mikkelsen.

18. I’m not including James Cameron‘s Avatar: Fire and Ash (20th Century, 12.19) as it’s just another episode in the Avatar series, and is solely about selling tickets.

19. Will Nia DaCosta‘s Hedda, a “reimagining” of Henrik Ibsen’s 1891 stage play, be shot as a Victorian period drama or as a contemporary thing? Tessa Thompson, Imogen Poots, Tom Bateman, Nina Hoss, Nicholas Pinnock, Finbar Lynch.

20. Kenneth Branagh‘s The Last Disturbance of Madeline Hynde…as an ardent non-fan of Branagh’s Belfast, I feel very concerned about any film that he’s directed and written. Jodie Comer, Patricia Arquette, Michael Sheen, Tom Bateman, Vicky McClure, Michael Balogun.

21. Celine Song‘s Materialists (A24, no date). “A Manhattan matchmaker’s lucrative business is complicated when she falls into a toxic love triangle that threatens her clients,” blah blah. Beware!!! Dakota Johnson, Chris Evans, Pedro Pascal, Zoe Winters, Dasha Nekrasova, Louisa Jacobson.

22. A Big Bold Beautiful Journey (Sony, 5.9) appears to be a serving of guaranteed agony. The words “American romantic fantasy” are death to me. Directed by Kogonada from a screenplay by Seth Reiss. Starring Margot Robbie and Colin Farrell, w/ Lily Rabe, Jodie Turner-Smith, Phoebe Waller-Bridge, Billy Magnussen, Sarah Gadon.

23. Yorgos Lanthimos‘ Bugonia (Focus Features, 11.7)….aaaggghhh! “Two conspiracy-obsessed young men kidnap the high-powered CEO of a major company (Emma Stone), convinced that she is an alien intent on destroying the earth. Costarring Jesse Plemons, Alicia Silverstone.

24. Paul Greengrass‘s The Lost Bus (Apple TV+). “A bus driver has to navigate a bus carrying children and their teacher to safety through the 2018 Camp Fire, which became the deadliest fire in California history,” etc. Matthew McConaughey, America Ferrera, Yul Vazquez, Ashlie Atkinson, Spencer Watson, Danny McCarthy.

25. Wes Anderson‘s The Phoenician Scheme (Focus Features, 5.30). “Dark tale of espionage following a strained father-daughter relationship within a family business beset by morally gray choices”…that’s a mouthful!. Benicio del Toro, Michael Cera, Bill Murray, Riz Ahmed, Tom Hanks, Benedict Cumberbatch, Scarlett Johansson, Charlotte Gainsbourg, Rupert Friend, Willem Dafoe, Bryan Cranston.

26. Bong Joon-ho‘s Mickey 17 (Warner Bros., 3.7.25). HE has long had a problem with Bong Joon-ho, and we’ve all heard about the prolonged release-date delays — originally slated for 3.29.24. Critics will cream over it, no matter how problematic it may or may not be. 3.10 update: It stinks!

27. John M. Chu‘s Wicked: For Good (Universal, 11.21.25). Same crew as before — Cynthia Erivo, Ariana Grande, Jonathan Bailey, Ethan Slater, Marissa Bode, Michelle Yeoh, Jeff Goldblum, etc.

28. Andre Gaines‘ The Dutchman (no distrib — debuting at SXSW on 3.8). Sexual intrigue between harried black businessman (Andre Holland) and whitey-white chick (Kara Mara). Co-adapted by Gaines and Qasim Basir, based on same-titled 1964 play by Amiri Baraka.

29. Mimi Cave‘s Holland (no distrib — opened at SXSW on 3.9) Small town Michigan woman (Nicole Kidman) suspects husband (Matthew Macfadyen) may be living a double life. Costarring Gael García Bernal, Jude Hill, Rachel Sennott.

30. Julian Schnabel‘s In The Hand of Dante. Synopsis of Nick Tosches‘ same-titled 2002 book: “An interweaving of two separate stories, one set in the 14th century in Italy and Sicily and featuring Dante Alighieri, and another set in the autumn of 2001 and featuring a fictionalized version of Tosches as the protagonist. The historical and modern stories alternate as Dante tries to finish writing his magnum opus and goes on a journey for mystical knowledge in Sicily.” Oscar Isaac as Nick Tosches / Dante Alighieri, w/ Jason Momoa, Gerard Butler, Gal Gadot, Sabrina Impacciatore, Franco Nero, Martin Scorsese.

31. Jonathan Kent‘s Long Day’s Journey Into Night. Ed Harris, Jessica Lange, Ben Foster, Colin Morgan, Ericka Roe.

32. Jonah Hill‘s Outcome (Apple TV+). Black comic satire about social-media harpooning of big movie star (Keanu Reeves). Costarring Jonah Hill, Cameron Diaz, Matt Bomer, Susan Lucci, David Spade, Laverne Cox.

33. Steven Soderbergh‘s Black Bag (Focus Features, 3.14). London-shot cloak and dagger with dry Soderbergh attitude….right?

34. Michel Franco‘s Dreams. Rich Anerican socialite Jennifer (Jessica Chastain) blows off, fucks over her younger Mexican ballet dancer boyfriend (Isaac Hernández)

35. Richard Linklater‘s Blue Moon (Sony Classics, May ’25) — The last few months in the life of composer Lorenz Hart (Ethan Hawke). Depression, alcoholism, closeted sexuality. Andrew Scott, Margaret Qualley, Bobby Cannavale. Opened in Berlin on 2.18.

36. Richard Linklater’s Nouvelle Vague, a period drama about the making of Jean-Luc Godard’s Breathless (‘60). Linklater will no doubt attempt to replicate the mood and spirit of Godard’s playful zeitgeist–shifter, a relationship piece about a small-time, Humphrey Bogart-emulating felon (Jean-Paul Belmondo) and his American-born, pixie-cut girlfriend (Jean Seberg). Linklater’s costars include Zooey Deutch, Guillaume Marbeck, Aubry Dullin.

37. Chloe Zhao‘s Hamnet (Focus Features, no date) — Fictional tale about Mr. and Mrs. William Shakespeare coping with the death of their son. Jessie Buckley, Paul Mescal, Joe Alwyn, Emily Watson.

38. Maggie Gyllenhaal‘s The Bride! (Warner Bros., 9.26). Feminist take on James Whale‘s The Bride of Frankenstein. All men are scheming, wounding pigs! Jessie Buckley, Christian Bale, Penélope Cruz, Peter Sarsgaard, Annette Bening.

39. Alex Garland and Ray Mendoza’s Warfare (A24, 4.11). Based on Mendoza’s Navy SEAL experience during the Iraq War in 2006 and shot in real time. Only 94 minutes!

40. Ethan Coen‘s Honey Don’t (Focus Features, May ’25). Another lesbian caper flick a la Drive Away Dolls. Set in Bakersfield, pic focuses on a private investigator (Margaret Qualley), a cult leader (Chris Evans), and a “mystery woman” (Aubrey Plaza).

Last-minute 3.10 additions:

(41) Derek Cianfrance’s Roofman (Paramount, 10.3). Channing Tatum, Kirsten Dubst, Ben Mendelsohn.

(42) Jim Jarmusch’s Father, Mother, Sister, Brother, an anthology film with Cate Blanchett, Vicky Kreips, Adam Driver.

(43) Benny Safdie’s The Smashing Machine (A24), a biopic of former MMA fighter and wrestler Mark Kerr.

Friendo: “Neil Burger’s The Marsh King’s Daughter (Lionsgate/Roadside, 11.3) is ostensibly a thriller, and I love thrillers. Good director, talented stars — but Bezos wants $19.99 to RENT the damn thing.”

HE to Friendo: “The combination of Daisy (‘who’s Cary Grant again?’) Ridley and Ben Mendelsohn plus that awful title (who would want anything to do with a marsh king, much less his daughter?) sounds lethal.”

Supporting player #1: “So this guy rules the marshlands, you’re saying? Residents pay tribute, owe him their lives, work for him, fear him?”

Supporting player #2: “Yeah, pretty much.”

Supporting player #1: “I’m taking a film crew into the marshlands next month. We have permits from the state film commission but…what are you saying, we also need permission to shoot in this guy’s territory? We need to butter him up, pay him off?”

Supporting player #2: “I wouldn’t recommend not doing that. He’s a ruthless, powerful cat. You need to show obeisance.”

Just as there are some actors with faces you can’t help liking or easing into without effort, there are faces on the other side of the canyon that you don’t like very much. As in instantly, no thinking about it. Faces you’d like to punch once or twice, or at the very least avoid.

I laughed when I read about Carlo Simone‘s wife instantly disliking the face of Cooper Raiff, the director-producer-writer of Cha Cha Real Smooth (Apple+, 6.17). I don’t happen to like his face all that much either, but I can roll with it. The topic, however, is certainly discussable across the board. Which actors have faces that the HE community just can’t stand? It’s rash and cruel to indulge such reactions, but we all feel them (at least briefly) from time to time.

HE’s pet animal-dislike peeves: (1) Matt Smith, the guy who played the sleazeball pimp in Last Night in Soho and the title role in Ondi Timoner‘s Mapplethorpe, (2) Michael Fassbender, (3) Ben Mendelsohn, the Australian actor who build his career out of performances in which he smoked cigarettes and sweated buckets, (4) Michael Cera, (5) Aaron Paul. And this is not a complete list. I’m just trying to get the ball rolling.

Note: Jon Bernthal used to be on HE’s animal-dislike list, but I took him off after his performances in Ford vs. Ferrari and Those Who Wish Me Dead.

The two finest films I saw at last month’s Telluride Film Festival were Joe Wright‘s exquisitely made Cyrano (UA Releasing, 12.31) and Reinaldo Marcus Green‘s King Richard (Warner Bros., 11.19). As things currently stand, these are also the most deserving Best Picture contenders…no question. Here, at long last, is the Cyrano trailer:

Posted on 9.2.21: “I’ve been watching filmed adaptations of Edmund Rostand‘s Cyrano de Bergerac for decades (Jose Ferrer‘s 1950 version, Steve Martin‘s Roxanne, the 1990 Gerard Depardieu version, and Michael Lehmann‘s The Truth About Cats and Dogs). Wright’s newbie — an inventively choreographed musical, fortified by first-rate production design and wonderfully lighted cinematography — is arguably the most spiritually and poetically buoyant version of them all.

The acting is top-tier, the musical numbers are arresting, the dialogue is as good as this sort of thing gets, and it’s a truly authentic time-tunnel experience (save for the presentism in the casting, which is par for the course these days).

Peter Dinklage has absolutely hit the jackpot with his titular performance — he’ll definitely be Best Actor-nominated. The film will almost certainly end up being Best Picture-nominated, and I wouldn’t be surprised if the year-end consensus is that Cyrano is a “better” musical than Steven Spielberg‘s West Side Story and Jon Chu‘s In The Heights combined.

Based on Schmidt’s 2018 stage musical of the same name (in which Dinklage and Haley Bennett costarred before moving onto the film version), Cyrano is easily Wright’s best film since Anna Karenina. Seamus McGarvey‘s exquisite cinematography reminded me of David Watkins‘ lensing of Richard Lester‘s The Three Musketeers (’73) — it’s a real trip just to watch and sink into on a visual level alone.

Kudos to Cyrano costars Kelvin Harrison Jr., Bashir Salahuddin and Ben Mendelsohn.

Joe Wright and Erica Schmidt‘s Cyrano (UA Releasing, 12.31) had its first-anywhere screening Thursday night at the Palm, and when it ended around 9:25 pm a few things were obvious.

First and foremost, this poignant romantic tale about unrequited love “works,” and that the audience (composed of the usual mixture of press people and wealthy Colorado liberals) was deeply moved.

There was a kind of a hush outside the theatre — people were talking in groups, whispering praise, sifting through their emotions. (Me included.) Cyrano will probably do well with the Rotten Tomatoes and Metacritic gang, but it will surely become a hit or at least develop an ardent following among ticket-buyers and streamers. Because it gets people where they live…soul, passion, exquisite ache.

I’ve been watching filmed adaptations of Edmund Rostand‘s Cyrano de Bergerac for decades (Jose Ferrer‘s 1950 version, Steve Martin‘s Roxanne, the 1990 Gerard Depardieu version, Michael Lehmann‘s The Truth About Cats and Dogs) and the newbie — an inventively choreographed musical, fortified by first-rate production design and wonderfully lighted cinematography — is arguably the most spiritually and poetically buoyant version of them all.

The acting is top-tier, the musical numbers are arresting, the dialogue is as good as this sort of thing gets, and it’s a truly authentic time-tunnel experience (except for the “presentism” in the casting, which is par for the course these days).

Peter Dinklage has absolutely hit the jackpot with his titular performance — he’ll definitely be Best Actor-nominated. The film will almost certainly end up being Best Picture-nominated, and I wouldn’t be surprised if the year-end consensus is that Cyrano is a “better” musical than Steven Spielberg‘s West Side Story and Jon Chu‘s In The Heights combined.

Based on Schmidt’s 2018 stage musical of the same name (in which Dinklage and Haley Bennett costarred before moving onto the film version), Cyrano is easily Wright’s best film since Anna Karenina. Seamus McGarvey‘s exquisite cinematography reminded me of David Watkins‘ lensing of Richard Lester‘s The Three Musketeers (’73) — it’s a real trip just to watch and sink into on a visual level alone.

Kudos to Cyrano costars Kelvin Harrison Jr., Bashir Salahuddin and Ben Mendelsohn.

I have to get up early so that’s that. Four films — Belfast, The Velvet Underground, The French Dispatch, King Richard — slated for tomorrow. I might even fit in a fifth — Speer Goes to Hollywood at 1 pm.

Yesterday World of Reel‘s Jordan Ruimy reported that Joe Wright‘s Cyrano (UA Releasing, 12.25), an adaptation of Erica Schmidt’s Goodspeed Opera House slash Terris Theatre production in 2018, will be at Telluride next week.

As he did onstage, the great Peter Dinklage will play the lead, except in this version (as in the 2018 musical play) Cyrano’s romantic handicap is not a big nose but dwarfism.

The musically-augmented feature costars Haley Bennett, Ben Mendelsohn, Brian Tyree Henry and Kelvin Harrison Jr.

I have no dog in this. I’m just repeating what J.R. seems to believe and going “okay, fine, whatever.” JR says it’s been “half-assedly” confirmed by a person associated with the film, so I guess what I’m doing is half-assedly passing along the news. I’ve seen a text message from this source that agrees with and/or doesn’t deny the news.

I’ve seen most of the significant Robin Hood features except one: Ken Annakin‘s The Story of Robin Hood and His Merrie Men (’52), produced by Walt Disney and starring Richard Todd, Joan Rice, Peter Finch (!), James Robertson Justice, etc.

It was reasonably well reviewed, reasonably profitable and — this is important — shot in three–strip Technicolor. It’s therefore odd that Disney has never produced a Bluray version or even an HD streamer.

Disney issued a Laserdisc in ’92, a VHS tape in ’94 (the Walt Disney’s Studio Film Collection) and a limited Disney Movie Club DVD in July ’06. All versions were mastered boxy — either 1.33:1 or 1.37:1.

There’s no question that the all-time best is still Michael Curtiz and Errol Flynn‘s The Adventures of Robin Hood (’38), and the absolute, all-time reprehensible worst is the most recent — Otto Bathurst‘s Robin Hood (’18) with Taron Egerton, Jamie Foxx, Ben Mendelsohn, Eve Hewson, Jamie Dornan, et. al.

I’ve got Kevin Costner‘s Robin Hood: Prince of Thieves (’91) tied with Ridley Scott‘s Robin Hood (’10) for second place. Mel Brooks‘ Robin Hood: Men In Tights (’91) ranks third. I’ve never seen Douglas Fairbanks‘ 1922 silent version.

Yesterday seven Indiewire contributors riffed on twenty 2019 films that may, in some cases, excite woke-ish or avant-garde sensibilities…who knows?

In alphabetical order: James Gray‘s Ad Astra, Harmony Korine‘s Beach Bum, Mia Hansen Love‘s Bergman Island, Martin Scorsese‘s The Irishman, Taika Waititi‘s Jojo Rabbit, Rian Johnson‘s Knives Out, Dee Rees‘ The Last Thing He Wanted, Robert Eggers‘ The Lighthouse, Greta Gerwig‘s Little Women, Noah Hawley‘s Lucy in the Sky, Quentin Tarantino’s Once Upon a Time in Hollywood, Bong Joon-ho‘s Parasite, Melina Matsoukas‘ Queen & Slim, Josephine Decker‘s Shirley, Kore-eda Hirokazu‘s The Truth, Benny & Josh Safdie‘s Uncut Gems, Jordan Peele‘s Us, Benh Zeitlin‘s Wendy and Janicza Bravo‘s Zola.

Brad Pitt, Leonardo DiCaprio in Quentin Tarantino’s Once Upon A Time in Hollywood.

Here’s the latest HE rundown of 2019 films of a certain preferred quality. 88 as we speak. Possible critical faves, perhaps even award-season contenders. The two main categories are (a) general appeal flicks with bigger names and budgets (29), and (b) smarthouse, upmarket films for particular congregations (59). Further refinements to come. What have I missed?

GENERAL APPEAL, BIGGER NAMES, BIGGER BUDGETS. etc. (30)

1. Martin Scorsese‘s The Irishman — A mob hitman recalls his possible involvement with the slaying of Jimmy Hoffa. (Robert De Niro, Al Pacino, Joe Pesci, Jesse Plemons).

2. Quentin Tarantino‘s Once Upon A Time in Hollywood — A faded TV actor and his stunt double embark on an odyssey to make a name for themselves in the film industry during the Helter Skelter reign of terror in 1969 Los Angeles. (Leonardo DiCaprio, Brad Pitt, Margot Robbie).

3. Ang Lee‘s Gemini Man — An over-the-hill hitman faces off against a younger clone of himself. (Will Smith, Clive Owen, Mary Elizabeth Winstead, Benedict Wong).

4. Jon Favreau‘s The Lion King — CGI and live-action re-imagining of the 1994 Disney classic. (Voice-acting by Donald Glover, Alfre Woodard, Chiwetel Ejiofor, Seth Rogen).

5. Todd Phillips’ Joker — Joker origin story, you know the drill. (Joaquin Phoenix, Robert De Niro, Shea Whigham, Zazie Beetz)

6. Marielle Heller‘s You Are My Friend — The story of Fred Rogers, the honored host and creator of the popular children’s television program, Mister Rogers’ Neighborhood. (Tom Hanks, Matthew Rhys, Susan Kelechi Watson, Tammy Blanchard)

7. J.C. Chandor‘s Triple Frontier — Five friends team to take down a South American drug lord. (Charlie Hunnam, Ben Affleck, Pedro Pascal, Oscar Isaac.) Netflix.

8. J.J. Abrams‘ Star Wars: Episode IX — The conclusion of the new ‘Star Wars’ trilogy. (Daisy Ridley, Adam Driver, John Boyega, Oscar Isaac, Lupita Nyong’o, Domhnall Gleeson, Kelly Marie Tran, et.al.)

9. Joe Wright‘s The Woman in the Window — An agoraphobic woman living alone in New York begins spying on her new neighbors only to witness a disturbing act of violence. (Amy Adams, Wyatt Russell, Gary Oldman, Julianne Moore)

10. All You Need Is Love (aka “Untitled Danny Boyle/Richard Curtis Film”) — Set to the music of the Beatles, it’s about a musician who thinks he’s the only one who can hear the Beatles’ music. (Lily James, Ed Sheeran, Ana de Armas, Kate McKinnon, Lamorne Morris) Sheeran plays himself discovering a rising young musician. Mckinnon plays a talent agent. Hamesh Patel costars.

11. Greta Gerwig‘s Little Women — Four sisters come of age in America in the aftermath of the Civil War. (Florence Pugh, Timothée Chalamet, Emma Watson, Saoirse Ronan)

12. James Mangold‘s Ford v. Ferrari — The true story of the battle between Ford and Ferrari to win Le Mans in 1966. (Christian Bale, Matt Damon, Jon Bernthal).

13. Jordan Peele‘s Us — A “social thriller” set between two couples — one white, one black. Starring Winston Duke (Black Panther) and Lupita Nyongo’o — L.A. Daily News critic Bob Strauss champing at the very bit. (Anna Diop, Elisabeth Moss, Kara Hayward)

14. Aaron Schneider‘s Greyhound — During World War II, an international convoy of 37 Allied ships, led by Commander Ernest Krause (Tom Hanks), cross the treacherous North Atlantic while being hotly pursued by wolf packs of German U-boats. (Elisabeth Shue, Karl Glusman, Stephen Graham)

15. Gavin Hood‘s Official Secrets — The true story of a British whistleblower who leaked information to the press about an illegal NSA spy operation designed to push the UN Security Council into sanctioning the 2003 invasion of Iraq. (Matthew Goode, Keira Knightley, Ralph Fiennes)