HE’s Greatest Westerns — An Incomplete Argument With Indiewire’s Top 100

In “The 100 Greatest Westerns of All Time,” a 6.25 article by IndieWire‘s Christiqn Blauvelt and Wilson Chapman, Kevin Costner‘s Open Range — easily one of the best westerns ever made — is listed in 94th place. And Nicholas Ray‘s Johnny Guitar (’54), a jaded, baroque, campy western that British critic Gavin Lambert called “one … Read more

Reason for Leone’s Western Being in 15th Place

A little less than three years ago I posted a roster of HE’s top 20 Henry Fonda films. There was some pushback over my placing Sergio Leone‘s Once Upon A Time In The West, in which Fonda played a blackhearted villain named Frank, in 15th place. I put it there because it wasn’t a “Henry … Read more

Respect for Robert Downey’s Genius Dad

Hollywood Elsewhere salutes Robert Downey Sr., the once-legendary director of iconoclastic, guerilla-style, counter-culture stoner classics like Putney Swope (’69) — the deadpan Madison Ave. comedy that put Downey on the map — and Greaser’s Palace (’72), an absurdist western comedy about the second coming of Christ. [The entire film is embedded after the jump.] Not … Read more

Stern’s Newport Doc (16mm Color, 4K Restoration)

Bert Stern‘s Jazz on a Summer’s Day is a warm, colorful capture of the 1958 Newport Jazz Festival. Not just a medley of performances but a portrait of an era and a cultural mood that was primarily defined by complacency and amber shadings and waiting for whatever the next thing might be. Stern’s 85-minute film … Read more

Skull Consternation

What a difference between this sophisticated digital map of the all-new, better-than-before Skull Island vs. the crude, hand-drawn map that Robert Armstrong had in his breast pocket in the original King Kong (’33). The shape of it, obviously, resembles a gorilla skull profile. I’m not finding a legend but I’m guessing it’s roughly 25 miles … Read more

Wobbly Western

During last weekend’s Golden Globe awards a guy sitting near me opined that Quentin Tarantino‘s The Hateful Eight was more or less a box-office disaster. I knew it was underperforming (it dropped over 50% last weekend after the wide break on January 1st) but the word “disaster” startled me. I’m not much of a fan … Read more

Robert Altman’s Three Women

Daniel Barber‘s The Keeping Room (Eagle/Lionsgate, 9.25) “is basically a cabin in the woods horror-violence flick about evil, almost-foaming-at-the-mouth Union soldiers trying to defile and murder three Southern women (Brit Marling, Hailee Steinfeld, Muna Otaru). Indiewire‘s Eric Kohn bought into it but I didn’t. There isn’t the slightest trace of half-sensible motivation or recognizable humanity … Read more

Stern Is Gone

Famed fashion and portrait photographer Bert Stern, 83, died this morning at his home in New York City. His passing was announced by his wife, filmmaker Shannah Laumeister (Bert Stern: Original Madman), whom Stern married in 2009. I’m a huge fan of this doc — I went apeshit for it last March and April. A … Read more

Morgenstern on long movies

“Long movies have always been with us,” observes Wall Street Journal film critic Joe Morgenstern. “Some have been follies (Heaven’s Gate — 219 minutes) while others have been glories (Abel Gance’s silent classic Napoleon — 330 minutes). Indeed, I was a staunch — some might say dogged — supporter of Paul Thomas Anderson’s Magnolia, which … Read more

Eight Middle Eastern films

My latest tally of Hollywood-funded Iraq-Afghanistan movies — narratives, not docs — comes to eight. Well, nine if you count Peter Berg‘s The Kingdom, which is set in Riyahd. (There may be others I’m missing.) All but one look like chocolate sundaes to me — dramas about things harsh and seething and generating impact waves … Read more