4K “Marty” w/ Dual Aspect Ratios

On 7.19 Kino Lorber will issue a 4K “special edition” Bluray of Delbert Mann‘s Marty (’55). It will include the correctly framed 1.37 version, which Kino issued in 2014, along with an 1.85 version — a political concession to the 1.85 fascists who screamed bloody murder over the boxy. In a 7.28.14 HE post titled … Read more

Marty Feldman Chronicle, Part 1

I never saw Marty Feldman‘s The Last Remake of Beau Geste, a surreal genre farce, when it opened in mid July ’77. I was scared away by critics who said it was inventive but overly broad and not funny enough**. They also complained that swollen-eyeballs Feldman was better as the offbeat comic ensemble guy than … Read more

Marty Is Boxy After All…Glorious!

Ignore the 1.85 aspect ratio info on Amazon’s Marty Bluray page. Why? Because it’s incorrect. I’ve been asleep at the wheel for the last month but in mid-June Kino Lorber vp acquisitions and business affairs Frank Tarzi announced a decision to issue the Bluray of Delbert Mann‘s Oscar-winning 1955 drama in the preferred Hollywood Elsewhere … Read more

Furmanek Influence Leads To Sliced-Down Marty

A Bluray of Delbert Mann and Paddy Chayefsky‘s Oscar-winning Marty (1955) will be released on 7.29. It gives me no comfort or satisfaction to report that the Bluray’s aspect ratio will be in the dreaded 1.85 with the tops and bottoms of the protected 1.37 image (seen on TV, VHS, laser disc and DVDs for … Read more

No Extra Scenes on Wolf Bluray?

There was a panel discussion during today’s Wolf of Wall Street luncheon at Manhattan’s Four Seasons, during which Martin Scorsese‘s editor Thelma Schoonmaker said something a tiny bit sad: “There are wonderful things we didn’t put in [the final 179 minute cut]. But Marty doesn’t believe in [doing] Director’s Cuts so you won’t see a … Read more

Serious 4K “Titanic” Upgrade

This morning I watched portions of the new Titanic 4K UHD Bluray (12.5), and I was seriously impressed by the super-sharp detail, enhanced compositions and generally exquisite fine-grain clarity. My eyes recall very clearly what the film looked like 26 years ago (I saw it five or six times), and James Cameron‘s classic looks appreciably … Read more

Continuing 1.85 Heartaches

This morning Kino Lorber announced a new Bluray of Mark Robson‘s The Bridges at Toko Ri (’54); ditto a forthcoming 4K Bluray of John Frankenheimer‘s The Manchurian Candidate (’62). I immediately wrote KL’s Frank Tarzi, who became a true HE hero nine years ago after releasing a boxy (1.37:1) Bluray of Delbert Mann‘s Marty, and … Read more

I Went There Again

Could Spike Jonze’s Adaptation (’02), which stars a balding, overweight, Uriah Heep-like Nicolas Cage as a bizarrely fictionalized version of screenwriter Charlie Kaufman, be made today? I saw it again a few nights ago (4K Bluray), and yeah, it’s possible it could be made today, sure. But some characters would have to be un-whited as … Read more

“Zodiac” Again

Before last night I had watched David Fincher‘s Zodiac seven or eight times, give or take. Two press screenings of the shorter theatrical version (157 minutes), and the Bluray director’s cut (162 minutes) five or six times. But last night’s viewing was different. For the first time I watched it with subtitles start to finish, … Read more

Normcore Tim, Pryor Signage

Three and a half months ago I reviewed a Kino Lorber Bluray of Marty Feldman’s In God We Tru$t (’80), an anti-religion, anti-corporate satire in which Richard Pryor played God. (Or more precisely “G.O.D.”). An In God We Trust Richard Pryor-with-white-Godbeard T-shirt was subsequently created by Elara.world, a normcore merch line from an outfit run … Read more

More Brown Blood…Yeesh

In a 6.15 Los Angeles Times article by Randee Dawn, Fran Lebowitz has shared a comment with Pretend It’s A City collaborator Martin Scorsese about Taxi Driver. Lebowitz: “[Marty] said to me numerous times: ‘You know what ruins Taxi Driver? The color red. The studio wouldn’t give me enough money to correct the color red, … Read more