Repeating: Skull Island Is Apocalypse Now Meets Son of Kong, NOT King Kong

Someone — Variety‘s Will Thorne, to be exact — has finally adopted the Hollywood Elsewhere term for Kong: Skull Island. “With ’70s rock tunes blaring and the dark figure of a life-sized King Kong looming in the background,” Thorne wrote today, “Wednesday night’s L.A. premiere truly felt like Apocalypse Kong.” But director Jordan Vogt-Roberts flat-out … Read more

Skull Island Is Actually a Vietnam-Era Period Piece

Last night’s Brie Larson/Skull Island kerfuffle at the Santa Barbara Film Festival stirred a casual interest in this Warner Bros. monster pic, which has been shooting since last October under director Jordan Vogt Roberts (Kings of Summer) and will open in March 2017. It’s basically back to Skull Island for more fun and games, more … Read more

Sutton Meets Original “Kong”

Knowing my Millennial sons’ aversion to monochrome films from an early age, I’ve long presumed that Sutton, age 2 and 1/2, would never consider watching any black-and-white movies, classic or otherwise. Hence my surprise on Sunday when we watched about a half-hour’s worth of the original King Kong (’33), which she was pretty much enthralled … Read more

Attaching Monetary Value

The trailer for Worth (Netflix 9.3) indicates quality — a thoughtful, low-key drama about the experience of Kenneth Feinberg (Michael Keaton), an attorney who was appointed to administrate the September 11th Victim Compensation Fund. His task was to decide which amounts certain families of 9/11 victims would be paid as compensation. Feinberg followed a certain … Read more

“Godzilla vs. Kong” Has A Problem

Last weekend Joe and Jane Popcorn stood eyeball-to-eyeball with Warner Bros. and Legendary Pictures and said the following: “You can’t keep Monsterverse-ing us with the same old Godzilla crap and expect lines around the block. We’re not going to sit for this stuff endlessly, on top of which your new Godzilla is at least a … Read more

Mildly Buzzed

Sorry for posting a late reaction to Tony Gilroy‘s Velvet Buzzsaw (Netflix, 2.1), an upscale foie gras horror film that I saw three or four days ago in Park City. My reaction is that I liked it well enough. At the very least I was mildly amused, mainly because it embraces an effete, arm’s-length approach … Read more

2018 Oscar Noms Fall Mostly Into Line

The Oscar nominations for the 90th annual awards were not only announced this morning from the Samuel Goldwyn Theater but in a few instances mispronounced, eccentrically personalized and generally murdered by the colorful Tiffany Haddish. Her inwardly grimacing co-presenter Andy Serkis helplessly stood by. Is it too much to ask presenters to rehearse or otherwise … Read more

“Show Me The Mummy!”

The only reason I’m writing about Alex Kurtzman‘s The Mummy (Universal, 6.9) is because I want credit for the “show me the mummy!” line. A screenwriter friend passed it along, and right away I said “that’s funny.” I’m not saying it hasn’t appeared somewhere else before (on some chat board or whatever), but I’m claiming … Read more

Toole’s Ghost Will Walk Streets of New Orleans

I’m often in touch with New Orleans filmmaker, documentarian and screenwriter Dave DuBos so I’ve no excuse for missing Mike Fleming‘s 2.8 Deadline story about DuBos’ forthcoming film version of Butterly in the Typewriter, based on Cory MacLauchlin’s biography of “Confederacy of Dunces” author John Kennedy Toole. DuBos wrote the screenplay and will direct the … Read more

Olly Olly In Come Free

Now that you’ve presumably seen Kong: Skull Island as well as Personal Shopper, do you understand what I was talking about a few days ago, which is that (a) Skull is a sloppy, scattershot joke (not one of those ten helicopters realized the danger and steered away from Kong’s reach during that chaotic swat-down sequence?) … Read more