Norman Lloyd’s Falling Would’ve Been Better

…if Alfred Hitchcock hadn’t relied on that fake-looking process shot. If I’d been in Hitchcock’s shoes, I would’ve had Universal’s prop department build a special wind-up mechanical dummy, one capable of moving its arms and legs a bit. Then I would’ve mounted the downward-facing camera on the railing of the actual Statue of Liberty torch, … Read more

Honoring Mr. Lloyd

The great actor, producer and director Norman Lloyd passed earlier today at age 106. I was so taken by his performance as a blind but very skilled English professor in Curtis Hanson‘s In Her Shoes that I asked to chat with him. Two encounters happened, both in September ’05. We did a phoner, and then … Read more

Hoping To Be Norman Lloyd Later In Life

On 11.9 I missed, to my everlasting discredit, a 100th birthday party for the great Norman Lloyd. So as a make-up I went to the Aero last night to hear Lloyd speak about Alfred Hitchcock‘s Saboteur (in which he played the villain, Fry, who fell to his death from the Statue of Liberty at the … Read more

Norman Lloyd doc

Touched by his performance as a blind former college professor in Curtis Hanson‘s In Her Shoes, I interviewed the 90 year-old Norman Lloyd at his Brentwood home a couple of years ago. The producer-actor is still going strong today (healthy, plays tennis, gets around town in a Jaguar) and currently the subject of career retrospective … Read more

Regarding Mr. Lloyd

Norman Lloyd, 90, is in only three scenes in In Her Shoes and is on-screen maybe seven or eight minutes, but his performance is one of the most poignant notes in a film that’s got more than a few of them. It’s not one of those burn-through-the-screen performances (along the lines of, say, Beatrice Straight’s … Read more

First Liberty Island Visit Since ‘80

Blue skies, hot temps, no breezes. Posted on 2.13.23: Norman Lloyd‘s falling finale would’ve been better if Alfred Hitchcock hadn’t relied on that fake-looking process shot. If I’d been in Hitchcock’s shoes, I would’ve had Universal’s prop department build a special wind-up mechanical dummy, one capable of moving its arms and legs a bit. Then … Read more

Anhedonia vs. Profound Joy

During the final episode of season #2 of The Sopranos, Tony (James Gandolfini) tells his sister Janice (Aida Turturro) that they were both emotionally scarred by their mother Livia (Nancy Marchand). One of her most malignant traits, Tony says, was her inability to experience joy. The psychoanalytic term is anhedonia, which of course was the … Read more

Like, Want, Need

“I’ll tell you what I want. I want to walk around New York City at a fairly vigorous clip. I want to love and support my wife and my sons every way I can. I want to sail into the mystic. I want to stay in touch with everyone and offer as much offer affection, … Read more

What I Want, Need, Insist Upon

Two nights ago a week-long Nastassja Kinski film series began under the auspices of the Film Society of Lincoln Center. Last night (11.28) they screened James Toback‘s Exposed (’83), in which Kinski costarred with Rudolf Nureyev and Harvey Keitel. (It also featured model Janice Dickinson, who recent came out as one of Bill Cosby‘s victims.) … Read more

A Single Candle On The Cake

Today is the 100th birthday of the great actor-producer Norman Lloyd, whom I had the honor of interviewing at his home a little more than nine years ago. At the time I was hopping up and down over Lloyd’s smallish but eloquent and quite stirring performance in Curtis Hanson‘s In Her Shoes. Two or three … Read more

Lust For Life

Six years and eight months ago I did a phone interview with actor-producer Norman Lloyd, whose performance as a blind ex-teacher in Curtis Hanson‘s In Her Shoes had moved me a great deal. After that I visited Lloyd at his home in Brentwood and chatted some more and took some photos and basically felt honored … Read more

Turkeys in a field

“With a multitude of highbrow movies competing for the same adult audience” during the fall-holiday Oscar season, “film after film takes a nasty tumble,” writes L.A. Times industry columnist Patrick Goldstein. His piece refers more to last year’s wipeouts than this year’s, understandably. It seems fairer to let the fate of pedigree movies like Stranger … Read more